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Ashley Graham recently included all three of her sons in a magazine photo shoot, while making it clear that protecting their privacy remains a top priority.

The 38 year old appeared on the cover of Marie Claire for its annual Motherhood issue, posing with her children Isaac, 6, and twins Malachi and Roman, 4, whom she shares with her husband Justin Ervin. The images offered a rare glimpse into her family life. In one photo, Graham held her eldest son on her lap as he turned away from the camera. Another captured a candid moment of her lying down while the twins moved playfully around a wooden bench.

Despite allowing this brief window into her life as a mother, Graham emphasized that she intends to keep her children largely out of the public eye. She explained that while she has shared much of her personal journey over the years, her sons are something she considers deeply private. In a world where people often share every detail online, she believes some aspects of life should remain protected.

 

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Erika Kirk released a video responding to criticism and viral impersonations circulating across social media platforms.

She said, in the video, that modern culture turns disagreement into personal betrayal, and escalates opposing views into moral judgment. She referenced comedian Druski, whose viral video impersonation of conservative women, sparked widespread attention and even misled an AI chatbot online. Erika also said, every morning she wakes to new headlines, including accusations about her leadership, her character, and her family life.

She warned that dehumanization in media, and online discourse, can escalate tensions, and distort public understanding of real events, addding that Turning Point USA was created to encourage civil debate, open dialogue, and respectful disagreement across political lines. She also referenced the White House Correspondents Dinner, where she was present during a security incident involving an armed suspect.

Reports from the event mentioned an attempted assassination of Donald Trump, which heightened concern among attendees, and circulated widely online. She concluded by saying she is committed to faith, family, and national unity, and urged Americans to choose dialogue over division.

The impersonation video by Druski spread rapidly online, and triggered debate about satire, representation, and political humor.

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President Donald Trump escalated his public campaign against late-night host Jimmy Kimmel on April 30, urging network executives at ABC and parent company Disney to take swift action following a disputed on-air joke about first lady Melania Trump.

In a post shared to Truth Social, Trump questioned how long the broadcaster would continue airing what he described as an "unfunny" program, adding that public anger was growing and warning that consequences should come soon.

The remarks came days after Kimmel referenced Melania Trump during a comedic monologue that aired ahead of the White House Correspondents Dinner. The comedian joked about the couple's dynamic and made a line implying she appeared like an "expectant widow," a comment that resurfaced after a security scare at the event involving an armed suspect.

 

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Christine Quinn is not returning to Selling Sunset as is.

In fact, the 37-year-old claims she's undergone some changes since leaving the Netflix reality series after season five in 2022. Not only has she gone through a contentious divorce with ex-husband Christian Dumontet, but she’s also made a new life for herself away from Los Angeles in Texas—all of which has brought her to where she is now.

 

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David Allan Coe, the outlaw country singer known for penning "Take This Job and Shove It," has died at 86, his representative confirmed, marking the end of a decades-long and often controversial career rooted in the 1970s Nashville outlaw movement.

Born in Akron, Ohio in 1939, Coe spent much of his youth in reform school and correctional facilities before turning to music while incarcerated, eventually heading to Nashville after his 1967 release.

He emerged in the 1970s with a gritty, genre-blending style, writing hits for other artists including Johnny Paycheck's "Take This Job and Shove It" and Tanya Tucker's "Would You Lay With Me," while building his own outlaw persona onstage.

He became a defining figure of outlaw country alongside peers like Willie Nelson and Waylon Jennings, though his career was frequently overshadowed by criticism over recordings containing racist and offensive material that he later defended as satire or character-driven work.

In the 1980s, Coe reached mainstream country success with songs like "The Ride" and "Mona Lisa Lost Her Smile," the latter becoming one of his highest-charting singles and reinforcing his reputation as a storyteller with a darker, reflective edge.

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