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Kim Novak has shared strong reservations about Sydney Sweeney portraying her in the upcoming biopic Scandalous!, calling the casting choice inappropriate. In an interview with The Times published on March 27, the 93 year old screen legend said she would not have supported Sweeney taking on the role and described the decision as misguided.

The film is set to explore Novak's relationship with Sammy Davis Jr. during the 1950s, with David Jonsson cast as Davis. Novak expressed concern that the project may focus too heavily on the romantic and physical aspects of their connection, rather than reflecting the deeper bond they shared. She emphasized that their relationship was rooted in common experiences and mutual understanding rather than being defined by attraction alone.

Novak also criticized Sweeney's image, suggesting that her public persona does not align with how she sees herself or the story she lived. She argued that the portrayal risks distorting the nature of her past and presenting a version that prioritizes appearance over authenticity. According to Novak, the film could lean toward sensationalism instead of accurately representing the emotional reality of her experiences.

Sweeney, known for her role in Euphoria, has previously spoken positively about the opportunity to portray Novak. She described the role as an honor and noted that she relates to Novak's experiences with fame, public scrutiny, and control over personal image. She has also expressed excitement about immersing herself in the role and potentially meeting Novak as part of the preparation process.

The project marks the directorial debut of Colman Domingo, who also stars alongside Sweeney in Euphoria. While anticipation around the film continues to grow, Novak has maintained her skepticism. She previously stated that she does not view her past

relationship with Davis as scandalous, pushing back against the narrative implied by the film's title.

Novak further reflected on the pressures that shaped her relationship with Davis, including interference from powerful figures in the film industry at the time. She confirmed longstanding rumors that external threats contributed to the end of their relationship. Despite this, she made it clear that marriage was never part of her plans, even though she cared deeply for him.

As production moves forward, the contrast between Novak's perspective and Sweeney's enthusiasm highlights an ongoing debate about representation, legacy, and who gets to tell a personal story on screen.

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